Filled with tragedy, sadness and human injustice, the painting by the famous French classicist painter, Belisarius, Jacques Louis David, was painted in oil, in 1781. The plot of the painting is imbued with sadness, sentimentality and compassion. She tells the story of the Byzantine illustrious commander Belisarius, who was slandered and removed from service, condemning him to wandering and poverty.

Like many artists of his time, the famous painter Peter Bruegel created a series of paintings called The Seasons. The best creation from this cycle and at the same time one of the artist’s best works is the painting “Hunters in the Snow.” The painting shows an alpine village on a winter day. The main characters - hunters - together with their faithful dogs return home.

Before us is the famous painting by Mikhail Vrubel “Pan”, which he painted in 1899 in the Oryol region on the estate of M. Tenisheva, a famous Russian philanthropist. What do you see when you look at the image in the foreground? Man is not a man? The goblin is not the goblin? A creature from a Russian fairy tale steadfastly guarding natural riches. Behind, behind the main figure, is a real evening landscape with clearly drawn lines of thin-trunked trees, a few plants near the water by the swamp.

Puny Lissitzky - a kind of transitional stage - from the ordinary artist to Malevich. They are a game with geometric figures, the art is complex and based on the search for the source. Ultimately, everything is a geometric shape, arbitrarily connected to each other. The head is a ball, on a plane is a circle.

Eduard Manet, when he painted this picture, obviously already then, was quite dismissive of all the official positions of art, so this masterpiece is quite apparently different from all his previous works that were written until 1863. It’s good or bad, definitely not it seems possible, but the fact that such a moment had a place to be is obvious.

Auguste Rene Roden - innovator, sculptor-impressionist. For Rodin, it is important to reproduce feelings and impressions in the sculpture, reflect the real world, its variability and mobility. Having received an order from the government in 1885 for the production of the gates of the French State Museum, Roden started work three years later, but never finished it. The Gates of Hell can be called the work of a lifetime, which today occupies a well-deserved place in the Rodin Museum.