Recommended Interesting Articles

Paintings

Description of the painting by Ivan Aivazovsky "From calm to the hurricane"

If Shishkin in Russian painting is recognized as the greatest master of landscapes of the Russian hinterland. So Aivazovsky is known to us, first of all, for his seascapes. This trend in painting is called Morenism. Aivazovsky all his life, mostly depicted on his canvases exclusively the sea or the ocean. On his canvases the water surface was sometimes stormy, then delightfully calm.
Read More
Paintings

Description of the painting by Pablo Picasso "Acrobat"

A canvas that, at first glance, slightly surprises and takes the hell out of the fact that you don’t know what exactly here can or should be said. The strange and unnatural figure of the acrobat causes bewilderment and rejection. But then, when the first negative emotions begin to dissipate, you begin to understand what this canvas is about.
Read More
Paintings

Description of the painting by Anton Losenko “Vladimir and Rogneda”

Losenko is a Russian painter who laid the foundation for Russian historical painting. Before him, it, as such, did not exist - there were religious and mythological subjects, but mostly Western, which had nothing to do with Russia. Only after Losenko did the history of his native country stand out in something that can be reflected in the paintings, thereby perpetuating.
Read More
Paintings

Description of the painting by Ivan Aivazovsky "Venice"

At least 3 paintings by Ivan Aivazovsky are called “Venice”. The same painting was painted by the artist in 1842 and is stored today in the Tver Regional Gallery. The Venetian port. Dawn. We do not see the sun's disk itself, but bright light spreads across the sky, staining it and the clouds with warm, soft pinkish shades.
Read More
Paintings

Description of the painting by Ilya Repin "Negro"

The Negro, who was so different from Repin’s usual form of writing, was created by him in Paris under the influence of the works of the famous Fortune, whom the author adored. Repin did not try to imitate his idol, but at the same time, he stretched in his art for the inaccessibility of the sense of form, which was masterly owned by Fortune.
Read More