“Worker and Collective Farm Girl” is the personification of the Soviet period of history, its ideals and social orientation. The monument consists of two figures - girls and young men who hold symbols of proletarian power over their heads - a sickle and a hammer. The sculpture takes pride of place in the history of the monumental art of the country of the Soviets and is “native” to the inhabitants of the former USSR.
The great master of surrealism, Salvador Dali, wrote The Last Supper in 1955. The painting found its place in the Washington National Gallery. The canvas is written with sophisticated technique, photographic materials were used to create it. He creates a traditional plot, presenting it from a futuristic point of view.
Creating the painting "Pierrot and Harlequin", Paul Cezanne created the plot, which was dedicated to the holiday of Mardi Gras. This is the last day of Shrovetide on the eve of Lent. But in the picture itself there is not even a hint of an Shrovetide carnival or a fair. Here we see only two young people dressed in carnival costumes. Apparently, they have just stepped on the stage, waiting for the festive ceremony.
Konstantin Korovin - Russian artist, Wanderer and impressionist. He studied with not the most famous artists, and left the Academy of Arts after three months, being unsatisfied with the quality and methods of teaching there. He was not so talented as to call him genius - far better than the technical side of the issue, he managed to get ideas.
The portrait was created in 1857.The Tretyakov Gallery gave Perov a responsible task: it was necessary to paint a portrait of Dostoevsky. Most likely, kindred views became the reason for this. Perov was inspired by the task that was set for him. The writer was close to him in similar ideas, as well as religious beliefs.
The picture presented in the form of a rectangular format shows an image of a woman in dark clothes. which is in the half-turn position. They are sitting in an armchair, her hands are folded together, one hand rests on the armrest of the chair, and the other is on top of the first. The woman is shown facing the viewer. The woman’s lying hair is parted and presented to the viewer in the form of smooth and flat, clearly visible through the transparent veil lying on them.